Posts Tagged ‘media art’

Hacklab at the Sea July 12-18 /2010 (DL 26.6.)

Friday, June 18th, 2010

M.A.R.I.N. invites short proposals to attend Hacklab at the Sea, an informal workshop on an island in the Finnish archipelago combining tinkering and brainstorming of ideas. The workshop explores sensory experience of marine environment and ecologies. Participants should all do hands-on tinkering with the likes of but not limited to, sensors, sensor networks, DIY electronics, low power computing, and alternative energy production. read more: http://marin.cc/seahacklab

Sound Waves

Sunday, September 6th, 2009

DSC02060.JPG As part of the collaboration with the AND Festival, M.A.R.I.N. artists in residence did a 2-day workshop with sound artists from SoundWave, a music and sound art organization from Workington. We met first on the catamaran docked in Whitehaven for informal discussion and dinner, introductions, and telling about our work and journey so far. In between several days of gushy winds, we enjoyed a cool and crisp, calmer evening.

We joined SoundWave at their offices in Workington for a show and tell, first myself, Nigel Helyer and Andreas Siagian discussed sound art in contexts of public space, locative work, and ecology. SoundWave coordinates programming for a nice 8-speaker rig in the town centre called The Hub, originally designed by BASE Structutes for the Allerdale Borough Council, and including work by Illustrious Company (Martyn Ware and Vince Clarke).

DSC02081.JPG The Hub’s soundscape was quite beautiful, giving a sensation of for example sea birds hovering above you. Emma Foxall presented a community project called Sonic Picnic that they had realized at The Hub, from which one got a real sense of building community ownership through participation.

Also Steven Pearson, Dave Camlin, Mark Newport, and Dave Roberts discussed their work, in particular in the context of The Hub, 3D recording and authoring. Soundwave had also realized an interesting project called Slate Song at the Honister Slate Mine last Spring. Performed in the mine, a 1.5 tonne “Musical Stones of Skiddaw” instrument had been performed together by a mezzo-soprano and fiddler (Mike Newport).

Data collection from Belfast to Bangor

Wednesday, August 19th, 2009

ecolocated_072Nigel and myself, accompanied by cap Lars took a 2 night trip to Bangor. We wanted to make a data trace from river Lagan using the YSI 600XL Sonde, recording temperature, pH, salinity, dissolved oxygen and oxygen reduction potential. It was another summer in Belfast with lot of rainfall, so there should be a lot of nutrients in the water. Weather forecast was luckily wrong for the day we went out: it was sunny with a smooth South-Westerly wind that made it a pleasant sail after the harbor area motoring zone. We also stopped along the way to make hydrophone recordings.

ecolocated_235 Once in Bangor, we sought permission to take the catamaran onto a slipway. One of its folding propellers had corroded and literally disintegrated. Also it was time to get rid of some barnacles. They are an amazing species, leaving a substrate behind even when removed, leaving a “bed” for new larvae. Think we removed about 60kg of it from the boat, and put into trash. The catamaran looked mighty big when off water, yet also beautifully designed.

Before dusk, Nigel and I took out the little dinghy boat with the water testing kit and hydrophones. At the entrance to the harbour, a dozen of fishermen were casting for mackerell. A few seals also loved this spot, not least to the treats that returning fishing boats would give them, the unused bait. We got pretty close, 2 meter distance from one of the seals, which seemed to have lost one eye. We tested the water in the commercial and yacht harbor, and then went out to Luke’s point, an area where I knew Bangor still has open sewage to the sea.

ecolocated_074 An unfriendly, cunning rock crept up from the sea to scratch the small engine propeller on the way. When going out to the sea, dissolved oxygen levels improved significantly, but when approaching the spill area, we’d hit values closer to six mg/l DO. The readings were showing worse water quality 200 meters off shore at the spill area than in the visibly polluted commercial harbor of Bangor.

The calculation one city may do is whether the wider impact of their sewage output has long term effects on wider aquatic areas. As it washes out to the open sea, the impact is in the short term, regional. What about the longer term stress on the marine ecosystem?

ecolocated_251 In the harbor, rather new mussle boat with trawling gear was in the harbor. On the coastal road, there was a sign warning to eat any mussels in Belfast Lough because of pollution. I turns out that the mussels in Belfast lough are replanted in other waters, grown, cleaned and sold.

We slept two nights in Bangor, and sailed off early in the morning to record a track from Bangor to the other side of the Lough near a power station, then up to the beginning of the Fairway buoy. The weather was rather windy.

Our water quality testing is something I would call indexical work. In order for the data to be meaningful for science, it takes a long period of time to monitor a single site to take into account changing conditions, and the possible measurement errors (which always are part of the picture). The mobile kind of monitoring that we do helps give an idea of an existing issue that may be worth investigating closer. For example, there are no permanent measuring equipment stationed in front of Bangor to monitor the sewage output.

Paralelo & Pixelache

Sunday, April 26th, 2009

M.A.R.I.N. project was presented within 4 days - and 9000 kilometers - on March 31st at Paralelo event in Sao Paolo, and on April 3rd at the Pixelache Festival in Helsinki. Tapio Mäkelä gave a talk, that has evolved over the last few months of dialogue with artists and researchers on art and ecology, titled Ecolocatedness: Art and Science Practice as Situated Information Design. This paper to be published by InterArts (in Spanish) discusses the role of art and design in creating agency through information design and participatory practices. Ecolocatedness as a term bridges ecology, location and situatedness. More to follow on this topic later…